Sam's Telephone Pictures Collection - The Bakelite Era and before

Phenolic resin - Bakelite - was the material of choice for telephone cases from about the 1920s to the 50s. The resin is mixed with pigment - carbon black for telephones - and filler - china clay or even sawdust - before moulding. It moulds cleanly with a good surface finish, has high electrical resistance, is impervious to water, chemical and heat resistant but has the disadvantage of being brittle. More information at "It's Bakelite, you know!". As I write Bakelite has been through a phase of being fashionable with collectors - anything: inkwells, cameras, valve radios, telephones..... Maybe the fad will pass, though I suspect not quickly.

Telephones were mostly made in black. Coloured versions are less common and consequently fetch higher prices at market, though in my opinion have no additional merit over their black counterparts.

First we have some standard BPO models.


Telephone No 150 Auto

Telephone No 150 Not by any means the first design of upright telephone, popularly known as a candlestick. Telephone No 150 was introduced in the 1920s but some remained in service into the 1950s and even beyond. Who knows, there may still be some out there in their original state? This one was donated to me by a kind retired BT engineer who found it forgotten and lurking in a cupboard at a PABX he maintained. Only the transmitter, receiver, dial and switch hook are contained in the stick itself. The transmission elements and bell were housed in a separate Bell Set No 1 or 25. See the 'Take a Phone to Bits' Project for pictures of its construction



Telephone No 162 and 232

Telephone No 162 CB Tele No 1/232 auto The real start of the Bakelite era. Telephone 162 (left) when it was introduced in 1924 was a revolution in design with its clean smooth curves entirely moulded in Bakelite. Identical in appearance, its successor, Telephone 1/232 (right) from 1934 had an improved transmission circuit. Both still required a separate bellset, though they could be mounted on top as in this picture. See the 'Take a Phone to Bits' Project for pictures of their construction



Bellset No 39

Bellset 39 with Tele No 232 Bellset 39 with Tele No 232

Coupled with one of the telephones above, Bellset 39 provided a secretarial function, allowing calls to be answered at the main phone and transferred to an extension. The extension could be called by the button to the right of the main lever switch (right). Buzzer or magneto callng could be used. An indicator to the left of the switch showed when the extension was engaged on a call. If two extensions were provided then a second button would be fitted to the left of the main switch. The arrangement was known as Extension Plan 5 (two extensions) or Extension Plan 7 (one extension). An intercom facility was also provided. Bellset No 39 replaced the earlier wooden Bellset No 20 and remained as the Post Office's standard for Plans 5 and 7 until the Planphone No 1 was introduced - see Plastic Era



Siemens Neophone 310

Siemens Neophone

The Siemens Neophone was actually the forerunner to the 162 and 232 above, but this is a slightly later model sitting on its own bellset. The circuitry is as for the 232 including the anti-sidetone transformer in the telephone case. The bell set contains the bell, a capacitor and terminal block only. The desk cord comes out of the hole in the bellset case on the left. Siemens telephones were common on the Southern Region of British Railways which is probably where this one came from.



Telephone 332 Auto

Telephone No 332 auto

Telephone 332 was the workhorse of the British Post Office for many years from the 1930s to the 1950s. The version with the dial for use on automatic exchanges was designated Auto. This model has a straight plastic handset cord which was used as a replacement for the plaited cords in later years.



Telephone No 332 CB

Telephone No 332 CB The version without dial was called CB for Central Battery. The handset has Ericsson Telephones ETL logo showing that it was probably in private use and not BPO issue. Both handset and line cords are plaited. See the information on the Ericsson N1365.



Telephone No 332 Magneto

Telephone No 332 magneto This model has been fitted with a magneto in place of a dial. It has a braided handset cord instead of the more usual plaited cord. This one was probably used for point-to-point working on the railway. Again the ETL handset suggests it is an Ericsson model, but it differs from others in their catalogue which have their magneto handle at the side.



Ericsson N1070 Wall Telephone

Ericsson N1070 Ericsson N1070 Another telephone that saw service on the railway is this wall model from Ericsson. This Telephone N1070 was rescued from an abandoned site on the underground following takeover by BR.

The front hinges down to allow access to the works for wiring and maintenance preventing the top from falling off and breaking. Another clever piece of design is that the circuitry is contained on a separate chassis which can be removed whilst leaving the base plate still fixed to the wall.

The dial No 10 is fixed rather unconventionally by the side pieces. Its connecting cable is very elegant for a piece of internal wiring, having a braided outer sheath.



The 1950s saw renewed interest in improving the design of telephones, both from an aesthetic point and to improve transmission characteristics. The GEC below was the precursor of the 700 series of transmission circuits, though still housed in a bakelite case. See article in the Repository.

GEC 1000 type

GEC 1000 type The GEC 1000 type telephone from the 1950s. It has ventilators in the sides, which I thought at first were to make the bell louder. They are actually to provide ventilation in tropical climes. I think this one was used on the Railway, which is why I put in the BR dial label. The striking black and white colour scheme is original and not the result of enthusiastic swapping of parts by some past technician. The article in the Repository tells more



PlasticNext


Exhibits: Sam Hallas Collection
Photos: ©2007-2009 Sam Hallas

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